Recording "Oh Well, Okay" by Christopher O’Riley
| Metadata | value |
|---|---|
| MBID | 02a73d49-c31e-4beb-9c4c-5e6e3f96e0a8 |
| title | Oh Well, Okay |
| artist | Christopher O’Riley |
| release | Home to Oblivion: An Elliott Smith Tribute |
| track number | 10 / 18 |
| track length | 3:06 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A# major (67.0%) |
| chords key | C minor |
| danceability | 0.96 |
| bpm | 153 |
| beat count | 473 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 100.0% |
| Gender | Female | 71.9% |
| Danceability | Not Danceable | 100.0% |
| Tonal | Tonal | 99.8% |
| Timbre | Dark | 90.1% |
| ISMIR04 Rhythm | Tango | 61.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 72.2% |
| Party | Not Party | 99.9% |
| Aggressive | Not Aggressive | 98.0% |
| Acoustic | Acoustic | 99.9% |
| Happy | Not Happy | 60.6% |
| Sad | Sad | 71.8% |
| Relaxed | Relaxed | 100.0% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 61.1% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 66.0% |
| Electronic classification | Ambient | 94.9% |
| Dortmund model | Electronic | 94.1% |
| Rosamerica model | Classical | 95.5% |
