Recording "Te Deum, op. 22: Te ergo quæsumus (Prière) Andantino quasi adagio" by Richard Hickox, Francisco Araiza, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado
Submission #1 out of 4 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | G minor (64.0%) |
| chords key | G major |
| danceability | 0.79 |
| bpm | 172 |
| beat count | 925 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 98.7% |
| Gender | Female | 50.0% |
| Danceability | Not Danceable | 93.9% |
| Tonal | Tonal | 62.0% |
| Timbre | Dark | 82.6% |
| ISMIR04 Rhythm | Viennesewaltz | 76.2% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 59.2% |
| Party | Not Party | 99.4% |
| Aggressive | Not Aggressive | 100.0% |
| Acoustic | Acoustic | 89.5% |
| Happy | Not Happy | 89.9% |
| Sad | Sad | 51.3% |
| Relaxed | Relaxed | 65.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 45.1% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 95.0% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 93.2% |
