Recording "The Best Was Yet to Come" by Bryan Adams
| Metadata | value |
|---|---|
| MBID | 05e9f6f7-68b0-4959-bb29-da810b2fb055 |
| title | The Best Was Yet to Come |
| artist | Bryan Adams |
| release | Cuts Like a Knife |
| track number | B5 / 10 |
| track length | 3:04 |
← Submission #17 out of 27 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (78.0%) |
| chords key | C major |
| danceability | 0.91 |
| bpm | 96 |
| beat count | 333 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 82.0% |
| Gender | Female | 86.4% |
| Danceability | Danceable | 50.0% |
| Tonal | Tonal | 54.4% |
| Timbre | Bright | 63.1% |
| ISMIR04 Rhythm | Tango | 63.1% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 71.4% |
| Party | Not Party | 93.0% |
| Aggressive | Not Aggressive | 96.3% |
| Acoustic | Acoustic | 81.0% |
| Happy | Not Happy | 99.5% |
| Sad | Sad | 59.2% |
| Relaxed | Relaxed | 91.7% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 34.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 100.0% |
| Electronic classification | Ambient | 86.4% |
| Dortmund model | Electronic | 45.0% |
| Rosamerica model | Rhythm And Blues | 38.4% |
