Recording "The Best Was Yet to Come" by Bryan Adams
| Metadata | value |
|---|---|
| MBID | 05e9f6f7-68b0-4959-bb29-da810b2fb055 |
| title | The Best Was Yet to Come |
| artist | Bryan Adams |
| release | Cuts Like a Knife |
| track number | B5 / 10 |
| track length | 3:04 |
← Submission #6 out of 27 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (80.0%) |
| chords key | C major |
| danceability | 0.92 |
| bpm | 96 |
| beat count | 338 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 81.7% |
| Gender | Female | 87.1% |
| Danceability | Danceable | 67.7% |
| Tonal | Tonal | 78.9% |
| Timbre | Bright | 73.6% |
| ISMIR04 Rhythm | Tango | 66.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 78.3% |
| Party | Not Party | 97.0% |
| Aggressive | Not Aggressive | 96.5% |
| Acoustic | Acoustic | 84.9% |
| Happy | Not Happy | 100.0% |
| Sad | Sad | 68.6% |
| Relaxed | Relaxed | 98.6% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 44.4% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 100.0% |
| Electronic classification | Ambient | 89.9% |
| Dortmund model | Electronic | 56.5% |
| Rosamerica model | Rhythm And Blues | 36.1% |
