Recording "Matthäus-Passion, BWV 244: Teil II: Und wiewohl viel falsche Zeugen herzutraten" by Ernst Haefliger, Max Proebstl, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
| Metadata | value |
|---|---|
| MBID | 0682c7a0-cfaf-4d5f-902a-841967ddf4ce |
| title | Matthäus-Passion, BWV 244: Teil II: Und wiewohl viel falsche Zeugen herzutraten |
| artist | Ernst Haefliger, Max Proebstl, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter |
| release | J.S. Bach: Matthäus-Passion |
| track number | 10 / 26 |
| track length | 1:28 |
Submission #1 out of 2 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (55.00000000000001%) |
| chords key | A# major |
| danceability | 1.01 |
| bpm | 163 |
| beat count | 206 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 99.1% |
| Gender | Female | 89.1% |
| Danceability | Not Danceable | 94.4% |
| Tonal | Atonal | 53.3% |
| Timbre | Bright | 70.9% |
| ISMIR04 Rhythm | Tango | 27.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 81.8% |
| Party | Not Party | 99.1% |
| Aggressive | Not Aggressive | 95.3% |
| Acoustic | Acoustic | 98.6% |
| Happy | Not Happy | 97.1% |
| Sad | Sad | 57.4% |
| Relaxed | Relaxed | 70.4% |
| Mirex method | Humorous, Silly, Campy, Quirky, Whimsical, Witty, Wry | 33.6% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 27.2% |
| Electronic classification | Ambient | 91.4% |
| Dortmund model | Blues | 72.4% |
| Rosamerica model | Classical | 47.2% |
