Recording "Matthäus‐Passion, BWV 244: Erster Teil. 4a. „Da versammleten sich die Hohenpriester“ (Evangelista) / 4b. „Ja nicht auf das Fest“ (Chorus I & II) / 4c. „Da nun Jesus war zu Bethanien“ (Evangelista) / 4d. „Wozu dienet dieser Unrat“ (Chorus I) / 4e. „Da das Jesus merkete“ (Evangelista, Jesus)" by Ian Bostridge, Collegium Vocale Gent, Franz-Josef Selig, Philippe Herreweghe
| Metadata | value |
|---|---|
| MBID | 09d5515c-fecd-44c5-b306-42e74800af93 |
| title | Matthäus‐Passion, BWV 244: Erster Teil. 4a. „Da versammleten sich die Hohenpriester“ (Evangelista) / 4b. „Ja nicht auf das Fest“ (Chorus I & II) / 4c. „Da nun Jesus war zu Bethanien“ (Evangelista) / 4d. „Wozu dienet dieser Unrat“ (Chorus I) / 4e. „Da das Jesus merkete“ (Evangelista, Jesus) |
| artist | Ian Bostridge, Collegium Vocale Gent, Franz-Josef Selig, Philippe Herreweghe |
| release | Matthäus‐Passion |
| track number | 4 / 29 |
| track length | 2:59 |
Submission #1 out of 5 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | F# major (61.0%) |
| chords key | C# minor |
| danceability | 0.88 |
| bpm | 98 |
| beat count | 320 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 57.7% |
| Gender | Male | 85.8% |
| Danceability | Not Danceable | 97.1% |
| Tonal | Tonal | 92.7% |
| Timbre | Dark | 53.3% |
| ISMIR04 Rhythm | Tango | 54.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 86.8% |
| Party | Not Party | 98.3% |
| Aggressive | Not Aggressive | 97.7% |
| Acoustic | Acoustic | 92.2% |
| Happy | Not Happy | 95.9% |
| Sad | Sad | 85.3% |
| Relaxed | Relaxed | 89.9% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 43.6% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 88.0% |
| Electronic classification | Ambient | 97.0% |
| Dortmund model | Blues | 38.5% |
| Rosamerica model | Classical | 84.1% |
