Recording "Oster‐Oratorium, BWV 249: III. Coro „Kommt, eilet und laufet“" by Gächinger Kantorei Stuttgart, Philippe Huttenlocher, Adalbert Kraus, Bach‐Collegium Stuttgart, Helmuth Rilling
| Metadata | value |
|---|---|
| MBID | 0c3995ef-e73f-4f13-83a5-e8db6afd5906 |
| title | Oster‐Oratorium, BWV 249: III. Coro „Kommt, eilet und laufet“ |
| artist | Gächinger Kantorei Stuttgart, Philippe Huttenlocher, Adalbert Kraus, Bach‐Collegium Stuttgart, Helmuth Rilling |
| release | Osteroratorium BWV 249 / Bleib bei uns BWV 6 |
| track number | 3 / 17 |
| track length | 4:43 |
Submission #1 out of 8 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D major (88.0%) |
| chords key | D major |
| danceability | 0.97 |
| bpm | 185 |
| beat count | 860 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 87.5% |
| Gender | Female | 93.9% |
| Danceability | Not Danceable | 85.9% |
| Tonal | Tonal | 99.3% |
| Timbre | Bright | 100.0% |
| ISMIR04 Rhythm | Viennesewaltz | 98.4% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 93.7% |
| Party | Not Party | 96.4% |
| Aggressive | Not Aggressive | 93.3% |
| Acoustic | Acoustic | 91.6% |
| Happy | Happy | 91.3% |
| Sad | Not Sad | 53.3% |
| Relaxed | Not Relaxed | 64.6% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 53.2% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 81.9% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 66.9% |
