Metadata | value |
---|---|
MBID | 0c4ec682-4a28-4366-a9c6-3a8589f704fc |
title | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Bei der Liebe, die den Füßen |
artist | London Philharmonic Orchestra, Klaus Tennstedt |
release | Sinfonie no. 8 |
track number | 9 / 12 |
track length | 5:31 |
Tonal & Rhythm | value |
---|---|
key | D# major (44.0%) |
chords key | D# major |
danceability | 0.84 |
bpm | 152 |
beat count | 727 |
Voice, timbre, gender, etc. | value | probability |
---|---|---|
Voice | Instrumental | 88.3% |
Gender | Female | 96.5% |
Danceability | Not Danceable | 96.5% |
Tonal | Tonal | 81.2% |
Timbre | Bright | 72.2% |
ISMIR04 Rhythm | Tango | 58.3% |
Moods | value | probability |
---|---|---|
Electronic | Not Electronic | 93.5% |
Party | Not Party | 99.7% |
Aggressive | Not Aggressive | 95.4% |
Acoustic | Acoustic | 97.4% |
Happy | Not Happy | 77.1% |
Sad | Sad | 59.3% |
Relaxed | Relaxed | 99.3% |
Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 48.1% |
Genres | value | probability |
---|---|---|
GTZAN model | Jazz | 99.1% |
Electronic classification | Ambient | 96.0% |
Dortmund model | Electronic | 100.0% |
Rosamerica model | Classical | 91.5% |