Recording "Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"" by Sarah Connolly, Gabrieli Consort & Players, Paul McCreesh
| Metadata | value |
|---|---|
| MBID | 101120f4-3e5b-48f2-a567-643800d237d5 |
| title | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" |
| artist | Sarah Connolly, Gabrieli Consort & Players, Paul McCreesh |
| release | Great Mass in C minor, K. 427 |
| track number | 3 / 15 |
| track length | 4:41 |
Submission #1 out of 7 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | E major (93.0%) |
| chords key | E major |
| danceability | 0.87 |
| bpm | 126 |
| beat count | 609 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 55.7% |
| Gender | Female | 70.6% |
| Danceability | Not Danceable | 81.4% |
| Tonal | Tonal | 99.9% |
| Timbre | Bright | 100.0% |
| ISMIR04 Rhythm | Tango | 54.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 98.9% |
| Party | Not Party | 99.9% |
| Aggressive | Not Aggressive | 100.0% |
| Acoustic | Acoustic | 99.1% |
| Happy | Not Happy | 59.5% |
| Sad | Sad | 80.0% |
| Relaxed | Relaxed | 97.6% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 40.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 27.2% |
| Electronic classification | Ambient | 96.4% |
| Dortmund model | Electronic | 97.9% |
| Rosamerica model | Classical | 80.0% |
