| Metadata | value |
|---|---|
| MBID | 14582fc4-e48a-4faf-a134-fbac10edfb5c |
| title | Act 3 Immediately Following: The Evil That Is Done |
| artist | Peter Hammill |
| release | The Fall of the House of Usher |
| track number | 11 / 21 |
| track length | 3:13 |
| Tonal & Rhythm | value |
|---|---|
| key | D# major (91.0%) |
| chords key | D# major |
| danceability | 0.92 |
| bpm | 153 |
| beat count | 391 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 99.6% |
| Gender | Male | 97.8% |
| Danceability | Not Danceable | 94.5% |
| Tonal | Atonal | 93.2% |
| Timbre | Bright | 72.0% |
| ISMIR04 Rhythm | Viennesewaltz | 73.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 76.1% |
| Party | Not Party | 59.8% |
| Aggressive | Not Aggressive | 96.7% |
| Acoustic | Acoustic | 51.1% |
| Happy | Happy | 76.0% |
| Sad | Not Sad | 65.7% |
| Relaxed | Relaxed | 95.4% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 37.7% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 72.1% |
| Dortmund model | Electronic | 48.7% |
| Rosamerica model | Rhythm And Blues | 29.2% |