| Metadata | value |
|---|---|
| MBID | 1e48c9fb-e2b2-4ac2-be26-104ae836f566 |
| title | Die sieben Todsünden: VII. Neid (Envy) |
| artist | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle |
| release | Weill: Die sieben Todsünden / Stravinsky: Pulcinella (Complete Ballet) |
| track number | 19 / 20 |
| track length | 4:30 |
| Tonal & Rhythm | value |
|---|---|
| key | G minor (62.0%) |
| chords key | D minor |
| danceability | 0.9 |
| bpm | 117 |
| beat count | 481 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 97.6% |
| Gender | Female | 91.4% |
| Danceability | Not Danceable | 94.6% |
| Tonal | Tonal | 96.8% |
| Timbre | Dark | 50.0% |
| ISMIR04 Rhythm | Tango | 98.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 69.4% |
| Party | Not Party | 95.9% |
| Aggressive | Not Aggressive | 80.1% |
| Acoustic | Acoustic | 72.6% |
| Happy | Not Happy | 85.1% |
| Sad | Sad | 77.2% |
| Relaxed | Relaxed | 98.4% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 36.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 64.3% |
| Electronic classification | Ambient | 94.9% |
| Dortmund model | Electronic | 86.3% |
| Rosamerica model | Classical | 87.5% |