Recording "Separate Lives" by Phil Collins & Marilyn Martin
| Metadata | value |
|---|---|
| MBID | 20e4141e-9dfd-4a42-a963-50a7262e0e1d |
| title | Separate Lives |
| artist | Phil Collins & Marilyn Martin |
| release | Now That’s What I Call Music 6 |
| track number | 14 / 15 |
| track length | 4:07 |
← Submission #3 out of 109 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | E major (90.0%) |
| chords key | E major |
| danceability | 0.92 |
| bpm | 99 |
| beat count | 465 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 99.9% |
| Gender | Female | 89.7% |
| Danceability | Not Danceable | 85.8% |
| Tonal | Tonal | 86.9% |
| Timbre | Bright | 98.1% |
| ISMIR04 Rhythm | Viennesewaltz | 45.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 96.7% |
| Party | Not Party | 89.3% |
| Aggressive | Not Aggressive | 100.0% |
| Acoustic | Acoustic | 91.6% |
| Happy | Not Happy | 56.1% |
| Sad | Sad | 75.5% |
| Relaxed | Relaxed | 97.6% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 46.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 81.6% |
| Dortmund model | Electronic | 68.4% |
| Rosamerica model | Rhythm And Blues | 84.6% |
