Recording "Separate Lives" by Phil Collins & Marilyn Martin
| Metadata | value |
|---|---|
| MBID | 20e4141e-9dfd-4a42-a963-50a7262e0e1d |
| title | Separate Lives |
| artist | Phil Collins & Marilyn Martin |
| release | Now That’s What I Call Music 6 |
| track number | 14 / 15 |
| track length | 4:07 |
← Submission #5 out of 109 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A minor (50.0%) |
| chords key | E major |
| danceability | 0.91 |
| bpm | 99 |
| beat count | 443 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 100.0% |
| Gender | Female | 62.2% |
| Danceability | Not Danceable | 100% |
| Tonal | Atonal | 98.8% |
| Timbre | Dark | 100.0% |
| ISMIR04 Rhythm | Tango | 36.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 97.9% |
| Party | Not Party | 100.0% |
| Aggressive | Not Aggressive | 100% |
| Acoustic | Not Acoustic | 90.4% |
| Happy | Not Happy | 83.8% |
| Sad | Not Sad | 69.0% |
| Relaxed | Relaxed | 80.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 62.3% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 30.9% |
| Electronic classification | Ambient | 84.9% |
| Dortmund model | Electronic | 99.7% |
| Rosamerica model | Hiphop | 48.8% |
