Recording "Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint" by Harry Partch
| Metadata | value |
|---|---|
| MBID | 2317662e-4aa5-47b8-b088-09042b412562 |
| title | Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint |
| artist | Harry Partch |
| release | Enclosure 5 |
| track number | 3 / 12 |
| track length | 5:34 |
Submission #1 out of 3 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C# minor (87.0%) |
| chords key | A major |
| danceability | 0.81 |
| bpm | 178 |
| beat count | 735 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 61.1% |
| Gender | Female | 62.2% |
| Danceability | Not Danceable | 67.1% |
| Tonal | Tonal | 88.4% |
| Timbre | Dark | 70.2% |
| ISMIR04 Rhythm | Viennesewaltz | 95.2% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 80.9% |
| Party | Not Party | 100.0% |
| Aggressive | Not Aggressive | 100% |
| Acoustic | Acoustic | 100.0% |
| Happy | Not Happy | 97.0% |
| Sad | Sad | 65.4% |
| Relaxed | Relaxed | 83.4% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 62.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Rock | 29.9% |
| Electronic classification | Ambient | 92.3% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 54.7% |
