Recording "Anti‐Anti‐Christ" by GWAR
| Metadata | value |
|---|---|
| MBID | 2335ecc8-4219-48d3-8d2a-f9c161bb9cab |
| title | Anti‐Anti‐Christ |
| artist | GWAR |
| release | Violence Has Arrived |
| track number | 4 / 13 |
| track length | 3:14 |
Submission #1 out of 5 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A major (50.0%) |
| chords key | A major |
| danceability | 1.12 |
| bpm | 112 |
| beat count | 368 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 99.7% |
| Gender | Male | 78.9% |
| Danceability | Not Danceable | 66.1% |
| Tonal | Atonal | 99.7% |
| Timbre | Dark | 99.0% |
| ISMIR04 Rhythm | Chachacha | 94.9% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 60.6% |
| Party | Party | 69.2% |
| Aggressive | Aggressive | 98.1% |
| Acoustic | Not Acoustic | 100.0% |
| Happy | Not Happy | 93.5% |
| Sad | Not Sad | 96.3% |
| Relaxed | Not Relaxed | 72.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 49.2% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Trance | 65.1% |
| Dortmund model | Electronic | 47.4% |
| Rosamerica model | Rock | 81.5% |
