Recording "Le nozze di Figaro, K. 492: Act II, Scene VII. No. 15 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa)" by Dietrich Fischer‐Dieskau, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
| Metadata | value |
|---|---|
| MBID | 2aa94158-363e-4dc0-97a1-cfeb77219a0c |
| title | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 15 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa) |
| artist | Dietrich Fischer‐Dieskau, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm |
| release | Le nozze di Figaro |
| track number | 4 / 12 |
| track length | 7:54 |
Submission #1 out of 3 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A# major (83.0%) |
| chords key | A# major |
| danceability | 0.97 |
| bpm | 172 |
| beat count | 1022 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 90.3% |
| Gender | Female | 98.2% |
| Danceability | Not Danceable | 90.6% |
| Tonal | Tonal | 97.6% |
| Timbre | Bright | 100.0% |
| ISMIR04 Rhythm | Viennesewaltz | 99.1% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 71.8% |
| Party | Not Party | 97.5% |
| Aggressive | Not Aggressive | 92.7% |
| Acoustic | Acoustic | 83.5% |
| Happy | Happy | 86.5% |
| Sad | Not Sad | 58.1% |
| Relaxed | Relaxed | 91.2% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 51.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 34.2% |
| Electronic classification | Ambient | 77.1% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 80.8% |
