Recording "Sorry Seems to Be the Hardest Word" by Elton John with the Melbourne Symphony Orchestra
| Metadata | value |
|---|---|
| MBID | 2b0c1bb5-115f-433f-b064-89f6e37512c6 |
| title | Sorry Seems to Be the Hardest Word |
| artist | Elton John with the Melbourne Symphony Orchestra |
| release | Live in Australia |
| track number | 5 / 14 |
| track length | 3:51 |
← Submission #2 out of 24 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A# major (67.0%) |
| chords key | G minor |
| danceability | 0.89 |
| bpm | 133 |
| beat count | 503 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 81.9% |
| Gender | Male | 92.3% |
| Danceability | Not Danceable | 91.2% |
| Tonal | Tonal | 96.7% |
| Timbre | Bright | 70.5% |
| ISMIR04 Rhythm | Tango | 48.2% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 74.6% |
| Party | Not Party | 92.0% |
| Aggressive | Not Aggressive | 97.2% |
| Acoustic | Acoustic | 90.8% |
| Happy | Not Happy | 79.2% |
| Sad | Sad | 78.8% |
| Relaxed | Relaxed | 98.2% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 45.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 87.0% |
| Dortmund model | Electronic | 92.3% |
| Rosamerica model | Jazz | 29.0% |
