| Metadata | value |
|---|---|
| MBID | 2b45e4a7-41e5-4aa2-808c-9b596d67685c |
| title | Till the End of the Day |
| artist | The Kinks |
| release | Everybody’s in Show‐Biz |
| track number | 22 / 23 |
| track length | 1:59 |
| Tonal & Rhythm | value |
|---|---|
| key | C major (66.0%) |
| chords key | C major |
| danceability | 0.99 |
| bpm | 165 |
| beat count | 321 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 80.1% |
| Gender | Male | 98.0% |
| Danceability | Not Danceable | 71.6% |
| Tonal | Tonal | 99.3% |
| Timbre | Bright | 96.3% |
| ISMIR04 Rhythm | Jive | 28.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 88.2% |
| Party | Not Party | 59.8% |
| Aggressive | Not Aggressive | 74.1% |
| Acoustic | Acoustic | 52.0% |
| Happy | Not Happy | 89.9% |
| Sad | Not Sad | 82.6% |
| Relaxed | Not Relaxed | 78.3% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 27.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 68.9% |
| Dortmund model | Electronic | 41.7% |
| Rosamerica model | Rock | 47.1% |