Recording "Messiah: 13. Pifa - 'Pastoral Symphony' / 14a. There Were Shepherds / 14b. And Lo, the Angel of the Lord Came Upon Them / 15. And the Angel Said Unto Them / 16. And Suddenly There Was With the Angel / 17. Glory to God" by Atlanta Symphony Orchestra & Chamber Chorus, Robert Shaw
| Metadata | value |
|---|---|
| MBID | 2b74b709-ce24-4b2c-8e82-2347a357038e |
| title | Messiah: 13. Pifa - 'Pastoral Symphony' / 14a. There Were Shepherds / 14b. And Lo, the Angel of the Lord Came Upon Them / 15. And the Angel Said Unto Them / 16. And Suddenly There Was With the Angel / 17. Glory to God |
| artist | Atlanta Symphony Orchestra & Chamber Chorus, Robert Shaw |
| release | Messiah (The Complete Oratorio) |
| track number | 8 / 15 |
| track length | 4:17 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | G major (73.0%) |
| chords key | D major |
| danceability | 0.81 |
| bpm | 110 |
| beat count | 500 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 98.0% |
| Gender | Female | 93.1% |
| Danceability | Not Danceable | 94.5% |
| Tonal | Tonal | 92.0% |
| Timbre | Bright | 87.7% |
| ISMIR04 Rhythm | Tango | 97.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 92.4% |
| Party | Not Party | 96.8% |
| Aggressive | Not Aggressive | 88.4% |
| Acoustic | Acoustic | 87.0% |
| Happy | Not Happy | 98.5% |
| Sad | Sad | 81.5% |
| Relaxed | Relaxed | 98.7% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 40.4% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 98.5% |
| Electronic classification | Ambient | 90.7% |
| Dortmund model | Electronic | 73.6% |
| Rosamerica model | Classical | 89.9% |
