Recording "Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs" by Boston Symphony Orchestra, Charles Munch
| Metadata | value |
|---|---|
| MBID | 3963526a-5197-4d90-9936-04fff95e8c24 |
| title | Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs |
| artist | Boston Symphony Orchestra, Charles Munch |
| release | Daphnis et Chloé |
| track number | 21 / 23 |
| track length | 2:06 |
Submission #1 out of 9 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | B major (69.0%) |
| chords key | B major |
| danceability | 0.74 |
| bpm | 126 |
| beat count | 262 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 93.3% |
| Gender | Female | 62.7% |
| Danceability | Not Danceable | 97.5% |
| Tonal | Tonal | 80.9% |
| Timbre | Dark | 92.6% |
| ISMIR04 Rhythm | Tango | 55.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 93.0% |
| Party | Not Party | 97.8% |
| Aggressive | Not Aggressive | 90.5% |
| Acoustic | Acoustic | 88.9% |
| Happy | Not Happy | 88.2% |
| Sad | Sad | 90.6% |
| Relaxed | Relaxed | 94.2% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 63.6% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 99.2% |
| Dortmund model | Folk/Country | 43.4% |
| Rosamerica model | Classical | 90.2% |
