Recording "Criticism and Self Realization" by All That Remains
| Metadata | value |
|---|---|
| MBID | 438fe145-e8d3-4d7b-a043-5c3da906b77c |
| title | Criticism and Self Realization |
| artist | All That Remains |
| release | The Order of Things |
| track number | 12 / 12 |
| track length | 7:03 |
Submission #1 out of 8 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | F# minor (78.0%) |
| chords key | F# minor |
| danceability | 0.93 |
| bpm | 140 |
| beat count | 990 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 80.8% |
| Gender | Male | 81.2% |
| Danceability | Danceable | 70.5% |
| Tonal | Atonal | 99.4% |
| Timbre | Dark | 99.5% |
| ISMIR04 Rhythm | Tango | 54.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 90.4% |
| Party | Party | 86.9% |
| Aggressive | Aggressive | 71.7% |
| Acoustic | Not Acoustic | 98.7% |
| Happy | Not Happy | 61.8% |
| Sad | Not Sad | 67.9% |
| Relaxed | Relaxed | 81.1% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 57.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.1% |
| Electronic classification | Trance | 71.1% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Rock | 49.1% |
