Recording "Criticism and Self Realization" by All That Remains
| Metadata | value |
|---|---|
| MBID | 438fe145-e8d3-4d7b-a043-5c3da906b77c |
| title | Criticism and Self Realization |
| artist | All That Remains |
| release | The Order of Things |
| track number | 12 / 12 |
| track length | 7:03 |
← Submission #5 out of 8 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | F# minor (74.0%) |
| chords key | C# major |
| danceability | 0.95 |
| bpm | 140 |
| beat count | 984 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 93.5% |
| Gender | Male | 89.5% |
| Danceability | Danceable | 82.2% |
| Tonal | Atonal | 100.0% |
| Timbre | Dark | 99.9% |
| ISMIR04 Rhythm | Tango | 53.6% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 77.6% |
| Party | Party | 65.9% |
| Aggressive | Aggressive | 56.0% |
| Acoustic | Not Acoustic | 99.0% |
| Happy | Not Happy | 98.1% |
| Sad | Not Sad | 68.3% |
| Relaxed | Relaxed | 86.7% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 54.6% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 32.2% |
| Electronic classification | Trance | 67.0% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Rock | 49.3% |
