Recording "Il barbiere di Siviglia: Atto I. Recitativo "Finora in questa camera" – Finale I "Ehi, di casa!... buona gente!..." (Berta, Conte, Bartolo, Rosina, Basilio, Tutti, Figaro, Coro, Ufficiale)" by Thomas Allen, Ambrosia Opera Chorus, Francisco Araiza, Agnes Baltsa, Sally Burgess, Robert Lloyd, John Noble, Domenico Trimarchi, Academy of St Martin in the Fields, Neville Marriner
| Metadata | value |
|---|---|
| MBID | 47da0855-041e-4da4-86fa-fa814072deb3 |
| title | Il barbiere di Siviglia: Atto I. Recitativo "Finora in questa camera" – Finale I "Ehi, di casa!... buona gente!..." (Berta, Conte, Bartolo, Rosina, Basilio, Tutti, Figaro, Coro, Ufficiale) |
| artist | Thomas Allen, Ambrosia Opera Chorus, Francisco Araiza, Agnes Baltsa, Sally Burgess, Robert Lloyd, John Noble, Domenico Trimarchi, Academy of St Martin in the Fields, Neville Marriner |
| release | Il barbiere di Siviglia |
| track number | 7 / 7 |
| track length | 21:10 |
Submission #1 out of 2 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (77.0%) |
| chords key | C major |
| danceability | 0.87 |
| bpm | 105 |
| beat count | 2436 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 99.0% |
| Gender | Female | 79.3% |
| Danceability | Not Danceable | 96.5% |
| Tonal | Atonal | 88.8% |
| Timbre | Bright | 96.8% |
| ISMIR04 Rhythm | Viennesewaltz | 89.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 97.1% |
| Party | Not Party | 97.9% |
| Aggressive | Not Aggressive | 93.8% |
| Acoustic | Acoustic | 73.0% |
| Happy | Not Happy | 59.6% |
| Sad | Not Sad | 64.8% |
| Relaxed | Relaxed | 54.5% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 62.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 94.2% |
| Electronic classification | Ambient | 66.5% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 97.2% |
