Recording "Afterthoughts" by Paul Bley, Gary Peacock, Tony Oxley & John Surman
| Metadata | value |
|---|---|
| MBID | 4ba5bd9f-cec1-4b23-815f-7aee59d001de |
| title | Afterthoughts |
| artist | Paul Bley, Gary Peacock, Tony Oxley & John Surman |
| release | In the Evenings Out There |
| track number | 1 / 12 |
| track length | 4:04 |
← Submission #2 out of 7 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (46.0%) |
| chords key | C minor |
| danceability | 0.92 |
| bpm | 140 |
| beat count | 512 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 100% |
| Gender | Female | 75.4% |
| Danceability | Not Danceable | 99.6% |
| Tonal | Tonal | 95.1% |
| Timbre | Bright | 57.6% |
| ISMIR04 Rhythm | Tango | 66.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 88.0% |
| Party | Not Party | 99.4% |
| Aggressive | Not Aggressive | 99.6% |
| Acoustic | Acoustic | 100.0% |
| Happy | Not Happy | 97.6% |
| Sad | Sad | 85.9% |
| Relaxed | Relaxed | 76.6% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 53.6% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 84.5% |
| Electronic classification | Ambient | 87.8% |
| Dortmund model | Electronic | 82.8% |
| Rosamerica model | Classical | 59.4% |
