Recording "Cantata, BWV 212 "Mer hahn en neue Oberkeet": 12. Aria (Basso) "Fünfzig Taler bares Geld "" by Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt
| Metadata | value |
|---|---|
| MBID | 4e0afd79-e7e3-4340-afee-3244871cd8a6 |
| title | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 12. Aria (Basso) "Fünfzig Taler bares Geld " |
| artist | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt |
| release | Jagdkantate BWV 208 / Bauernkantate BWV 212 (Concentus Musicus Wien feat. conductor: Nikolaus Harnoncourt) |
| track number | 27 / 39 |
| track length | 00:50 |
Submission #1 out of 6 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A major (70.0%) |
| chords key | A major |
| danceability | 1.26 |
| bpm | 95 |
| beat count | 81 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 76.0% |
| Gender | Male | 93.7% |
| Danceability | Not Danceable | 92.1% |
| Tonal | Tonal | 88.9% |
| Timbre | Dark | 51.3% |
| ISMIR04 Rhythm | Tango | 55.2% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 94.3% |
| Party | Not Party | 80.2% |
| Aggressive | Not Aggressive | 90.3% |
| Acoustic | Not Acoustic | 69.8% |
| Happy | Happy | 81.8% |
| Sad | Sad | 66.4% |
| Relaxed | Relaxed | 70.3% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 33.3% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Hiphop | 27.5% |
| Electronic classification | Ambient | 95.4% |
| Dortmund model | Blues | 26.0% |
| Rosamerica model | Classical | 88.3% |
