Recording "Salome, op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?"" by Hildegard Behrens, Wiesław Ochman, José van Dam, Wiener Philharmoniker, Herbert von Karajan
| Metadata | value |
|---|---|
| MBID | 4f16998d-7d75-48fd-8e0c-4b87ae37d89f |
| title | Salome, op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?" |
| artist | Hildegard Behrens, Wiesław Ochman, José van Dam, Wiener Philharmoniker, Herbert von Karajan |
| release | Salome |
| track number | 7 / 15 |
| track length | 9:37 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D major (44.0%) |
| chords key | F# major |
| danceability | 0.87 |
| bpm | 123 |
| beat count | 1241 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 94.0% |
| Gender | Male | 53.6% |
| Danceability | Not Danceable | 79.5% |
| Tonal | Atonal | 54.0% |
| Timbre | Bright | 74.0% |
| ISMIR04 Rhythm | Viennesewaltz | 69.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 53.2% |
| Party | Not Party | 96.8% |
| Aggressive | Not Aggressive | 96.4% |
| Acoustic | Acoustic | 88.5% |
| Happy | Happy | 69.6% |
| Sad | Not Sad | 62.6% |
| Relaxed | Relaxed | 91.7% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 60.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.2% |
| Electronic classification | Ambient | 71.3% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 72.2% |
