Recording "Sorry Seems to Be the Hardest Word" by Mary J. Blige
| Metadata | value |
|---|---|
| MBID | 51147b1d-ed45-4c12-b7ce-8ac8c2c03a8a |
| title | Sorry Seems to Be the Hardest Word |
| artist | Mary J. Blige |
| release | Bridget Jones: The Edge of Reason |
| track number | 5 / 20 |
| track length | 3:44 |
← Submission #4 out of 20 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A# major (65.0%) |
| chords key | D minor |
| danceability | 1.15 |
| bpm | 122 |
| beat count | 396 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 97.7% |
| Gender | Female | 83.5% |
| Danceability | Danceable | 95.9% |
| Tonal | Atonal | 99.6% |
| Timbre | Bright | 58.2% |
| ISMIR04 Rhythm | Chachacha | 27.4% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 78.6% |
| Party | Party | 83.1% |
| Aggressive | Not Aggressive | 91.0% |
| Acoustic | Not Acoustic | 69.7% |
| Happy | Not Happy | 87.0% |
| Sad | Sad | 76.1% |
| Relaxed | Relaxed | 96.0% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 43.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 30.5% |
| Electronic classification | Ambient | 48.6% |
| Dortmund model | Electronic | 92.3% |
| Rosamerica model | Rhythm And Blues | 75.8% |
