Recording "Sorry Seems to Be the Hardest Word" by Mary J. Blige
| Metadata | value |
|---|---|
| MBID | 51147b1d-ed45-4c12-b7ce-8ac8c2c03a8a |
| title | Sorry Seems to Be the Hardest Word |
| artist | Mary J. Blige |
| release | Bridget Jones: The Edge of Reason |
| track number | 5 / 20 |
| track length | 3:44 |
← Submission #9 out of 20 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D# minor (70.0%) |
| chords key | A# minor |
| danceability | 1.1 |
| bpm | 128 |
| beat count | 470 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 65.5% |
| Gender | Female | 55.7% |
| Danceability | Not Danceable | 98.5% |
| Tonal | Atonal | 75.2% |
| Timbre | Bright | 75.1% |
| ISMIR04 Rhythm | Viennesewaltz | 34.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 64.7% |
| Party | Not Party | 95.2% |
| Aggressive | Not Aggressive | 96.0% |
| Acoustic | Acoustic | 98.3% |
| Happy | Not Happy | 92.9% |
| Sad | Sad | 81.0% |
| Relaxed | Relaxed | 98.1% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 60.7% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 33.1% |
| Electronic classification | Ambient | 91.2% |
| Dortmund model | Electronic | 54.8% |
| Rosamerica model | Jazz | 83.4% |
