Recording "Matthäus‐Passion, BWV 244: Zweiter Teil. 53a. „Da nahmen die Kriegsknechte“ (Evangelista) / 53b. „Gegrüßet seist du, Judenkönig“ (Chorus I & II) / 53c. „Und speieten ihn an“ (Evangelista)" by Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe
| Metadata | value |
|---|---|
| MBID | 54f046d5-998c-4ef0-be39-f5141f101b3b |
| title | Matthäus‐Passion, BWV 244: Zweiter Teil. 53a. „Da nahmen die Kriegsknechte“ (Evangelista) / 53b. „Gegrüßet seist du, Judenkönig“ (Chorus I & II) / 53c. „Und speieten ihn an“ (Evangelista) |
| artist | Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe |
| release | Matthäus‐Passion |
| track number | 1 / 16 |
| track length | 1:06 |
Submission #1 out of 5 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C# minor (71.0%) |
| chords key | C# minor |
| danceability | 0.84 |
| bpm | 133 |
| beat count | 133 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 96.4% |
| Gender | Male | 92.7% |
| Danceability | Not Danceable | 98.6% |
| Tonal | Tonal | 88.6% |
| Timbre | Dark | 53.9% |
| ISMIR04 Rhythm | Tango | 91.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 78.2% |
| Party | Not Party | 97.2% |
| Aggressive | Not Aggressive | 90.3% |
| Acoustic | Acoustic | 96.7% |
| Happy | Not Happy | 99.0% |
| Sad | Sad | 79.0% |
| Relaxed | Relaxed | 66.2% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 47.3% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 55.8% |
| Electronic classification | Ambient | 95.9% |
| Dortmund model | Blues | 65.3% |
| Rosamerica model | Classical | 82.5% |
