Recording "Buked and Scorned" by Harry Belafonte
| Metadata | value |
|---|---|
| MBID | 5583d14d-ccd4-451a-8544-3b145701b33e |
| title | Buked and Scorned |
| artist | Harry Belafonte |
| release | My Lord What a Mornin’ |
| track number | A4 / 11 |
| track length | 4:42 |
Submission #1 out of 3 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | F# major (88.0%) |
| chords key | F# major |
| danceability | 0.79 |
| bpm | 115 |
| beat count | 614 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 100.0% |
| Gender | Male | 86.2% |
| Danceability | Not Danceable | 98.5% |
| Tonal | Atonal | 51.4% |
| Timbre | Bright | 84.2% |
| ISMIR04 Rhythm | Viennesewaltz | 67.1% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 97.5% |
| Party | Not Party | 98.1% |
| Aggressive | Not Aggressive | 100.0% |
| Acoustic | Acoustic | 98.8% |
| Happy | Not Happy | 95.5% |
| Sad | Sad | 71.8% |
| Relaxed | Relaxed | 97.5% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 44.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 95.5% |
| Electronic classification | Ambient | 89.1% |
| Dortmund model | Electronic | 98.9% |
| Rosamerica model | Classical | 79.5% |
