Recording "The Magnificent Seven (return)" by The Clash
| Metadata | value |
|---|---|
| MBID | 741a63f1-9a2f-4c2e-b9a2-050cee00cccd |
| title | The Magnificent Seven (return) |
| artist | The Clash |
| release | Live at Shea Stadium |
| track number | 8 / 16 |
| track length | 2:23 |
← Submission #4 out of 9 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A minor (76.0%) |
| chords key | A minor |
| danceability | 1.31 |
| bpm | 132 |
| beat count | 314 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 98.9% |
| Gender | Male | 100.0% |
| Danceability | Danceable | 100.0% |
| Tonal | Tonal | 98.9% |
| Timbre | Bright | 73.1% |
| ISMIR04 Rhythm | Chachacha | 59.6% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 65.5% |
| Party | Not Party | 79.2% |
| Aggressive | Not Aggressive | 88.8% |
| Acoustic | Not Acoustic | 98.0% |
| Happy | Not Happy | 61.9% |
| Sad | Not Sad | 81.9% |
| Relaxed | Not Relaxed | 87.7% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 34.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.1% |
| Electronic classification | Trance | 54.8% |
| Dortmund model | Electronic | 61.4% |
| Rosamerica model | Rock | 43.2% |
