| Metadata | value |
|---|---|
| MBID | 76f277b9-fd5c-484e-a2ca-47c232d14ec0 |
| title | Best Is Yet to Come |
| artist | Red |
| release | Until We Have Faces |
| track number | 10 / 12 |
| track length | 4:04 |
| Tonal & Rhythm | value |
|---|---|
| key | C major (80.0%) |
| chords key | C major |
| danceability | 1.03 |
| bpm | 142 |
| beat count | 572 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 71.7% |
| Gender | Male | 97.1% |
| Danceability | Danceable | 67.9% |
| Tonal | Atonal | 70.4% |
| Timbre | Bright | 92.2% |
| ISMIR04 Rhythm | Jive | 21.1% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 72.6% |
| Party | Party | 54.7% |
| Aggressive | Not Aggressive | 61.2% |
| Acoustic | Not Acoustic | 99.3% |
| Happy | Happy | 88.4% |
| Sad | Not Sad | 84.1% |
| Relaxed | Not Relaxed | 78.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 36.2% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Trance | 56.9% |
| Dortmund model | Electronic | 99.2% |
| Rosamerica model | Rock | 89.4% |