| Metadata | value |
|---|---|
| MBID | 7d5ad3dd-3eac-422c-a43e-eb46d0ddebb4 |
| title | Come Sunday |
| artist | Duke Ellington & His Orchestra |
| release | The Duke: The Columbia Years (1927–1962) |
| track number | 7 / 21 |
| track length | 5:49 |
| Tonal & Rhythm | value |
|---|---|
| key | G# major (86.0%) |
| chords key | G# major |
| danceability | 0.8 |
| bpm | 126 |
| beat count | 685 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 98.2% |
| Gender | Female | 54.3% |
| Danceability | Not Danceable | 98.8% |
| Tonal | Tonal | 98.5% |
| Timbre | Dark | 69.2% |
| ISMIR04 Rhythm | Viennesewaltz | 50.1% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 91.8% |
| Party | Not Party | 99.6% |
| Aggressive | Not Aggressive | 98.8% |
| Acoustic | Acoustic | 99.1% |
| Happy | Not Happy | 85.6% |
| Sad | Sad | 68.8% |
| Relaxed | Relaxed | 99.4% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 51.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 96.8% |
| Dortmund model | Electronic | 99.8% |
| Rosamerica model | Classical | 70.2% |