| Metadata | value |
|---|---|
| MBID | 858b6bdd-5df2-49c7-a2cc-4908ef5d1bd9 |
| title | Die sieben Todsünden: Epilog |
| artist | Elise Ross, City of Birmingham Symphony Orchestra, Simon Rattle |
| release | Weill: Die sieben Todsünden / Stravinsky: Pulcinella (Complete Ballet) |
| track number | 20 / 20 |
| track length | 1:33 |
| Tonal & Rhythm | value |
|---|---|
| key | C major (49.0%) |
| chords key | C major |
| danceability | 0.85 |
| bpm | 123 |
| beat count | 217 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 55.5% |
| Gender | Female | 71.8% |
| Danceability | Not Danceable | 100.0% |
| Tonal | Atonal | 94.4% |
| Timbre | Bright | 91.0% |
| ISMIR04 Rhythm | Tango | 92.2% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 64.9% |
| Party | Not Party | 59.0% |
| Aggressive | Not Aggressive | 92.5% |
| Acoustic | Acoustic | 99.8% |
| Happy | Happy | 99.9% |
| Sad | Sad | 88.9% |
| Relaxed | Relaxed | 80.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 57.3% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 57.9% |
| Electronic classification | Ambient | 95.7% |
| Dortmund model | Blues | 80.1% |
| Rosamerica model | Classical | 54.5% |