Recording "Matthäus‐Passion, BWV 244: Zweiter Teil. 50a. „Sie schrieen aber noch mehr“ (Evangelista) / 50b. Chorus I & II „Laß ihn kreuzigen!“ / 50c. „Da aber Pilatus sahe“ (Evangelista, Pilatus) / 50d. „Sein Blut komme über uns“ (Chorus I & II)" by Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe
| Metadata | value |
|---|---|
| MBID | 88164ade-e448-45c4-9331-e2eb58b6e97d |
| title | Matthäus‐Passion, BWV 244: Zweiter Teil. 50a. „Sie schrieen aber noch mehr“ (Evangelista) / 50b. Chorus I & II „Laß ihn kreuzigen!“ / 50c. „Da aber Pilatus sahe“ (Evangelista, Pilatus) / 50d. „Sein Blut komme über uns“ (Chorus I & II) |
| artist | Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe |
| release | Matthäus‐Passion |
| track number | 21 / 23 |
| track length | 1:50 |
Submission #1 out of 5 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D# major (68.0%) |
| chords key | A# minor |
| danceability | 0.88 |
| bpm | 101 |
| beat count | 204 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 80.2% |
| Gender | Male | 85.7% |
| Danceability | Not Danceable | 88.0% |
| Tonal | Atonal | 53.0% |
| Timbre | Bright | 88.5% |
| ISMIR04 Rhythm | Tango | 92.9% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 78.6% |
| Party | Not Party | 98.6% |
| Aggressive | Not Aggressive | 87.0% |
| Acoustic | Acoustic | 87.6% |
| Happy | Not Happy | 60.0% |
| Sad | Sad | 68.9% |
| Relaxed | Relaxed | 94.0% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 25.1% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 27.1% |
| Electronic classification | Ambient | 97.2% |
| Dortmund model | Blues | 43.3% |
| Rosamerica model | Classical | 87.3% |
