Metadata | value |
---|---|
MBID | 88164ade-e448-45c4-9331-e2eb58b6e97d |
title | Matthäus‐Passion, BWV 244: Zweiter Teil. 50a. „Sie schrieen aber noch mehr“ (Evangelista) / 50b. Chorus I & II „Laß ihn kreuzigen!“ / 50c. „Da aber Pilatus sahe“ (Evangelista, Pilatus) / 50d. „Sein Blut komme über uns“ (Chorus I & II) |
artist | Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe |
release | Matthäus‐Passion |
track number | 21 / 23 |
track length | 1:50 |
Tonal & Rhythm | value |
---|---|
key | D# major (68.0%) |
chords key | A# minor |
danceability | 0.88 |
bpm | 101 |
beat count | 204 |
Voice, timbre, gender, etc. | value | probability |
---|---|---|
Voice | Voice | 80.2% |
Gender | Male | 85.7% |
Danceability | Not Danceable | 88.0% |
Tonal | Atonal | 53.0% |
Timbre | Bright | 88.5% |
ISMIR04 Rhythm | Tango | 92.9% |
Moods | value | probability |
---|---|---|
Electronic | Not Electronic | 78.6% |
Party | Not Party | 98.6% |
Aggressive | Not Aggressive | 87.0% |
Acoustic | Acoustic | 87.6% |
Happy | Not Happy | 60.0% |
Sad | Sad | 68.9% |
Relaxed | Relaxed | 94.0% |
Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 25.1% |
Genres | value | probability |
---|---|---|
GTZAN model | Jazz | 27.1% |
Electronic classification | Ambient | 97.2% |
Dortmund model | Blues | 43.3% |
Rosamerica model | Classical | 87.3% |