Recording "The Arrival" by Harry James
| Metadata | value |
|---|---|
| MBID | 8d7566fa-38e3-407d-bf3c-698af6738955 |
| title | The Arrival |
| artist | Harry James |
| release | Things Ain't What They Used to Be |
| track number | 9 / 18 |
| track length | 2:44 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | F major (64.0%) |
| chords key | F major |
| danceability | 1.01 |
| bpm | 107 |
| beat count | 289 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 98.8% |
| Gender | Female | 84.9% |
| Danceability | Not Danceable | 99.7% |
| Tonal | Atonal | 89.0% |
| Timbre | Bright | 86.1% |
| ISMIR04 Rhythm | Chachacha | 47.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 50.8% |
| Party | Party | 91.9% |
| Aggressive | Aggressive | 86.8% |
| Acoustic | Not Acoustic | 96.1% |
| Happy | Happy | 90.7% |
| Sad | Not Sad | 92.1% |
| Relaxed | Not Relaxed | 83.5% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 33.1% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 40.0% |
| Dortmund model | Blues | 19.4% |
| Rosamerica model | Classical | 67.5% |
