Recording "Come On, Oblivion" by Finger Eleven
| Metadata | value |
|---|---|
| MBID | 92df3850-b6b4-4017-b009-75e9e0bfa1bc |
| title | Come On, Oblivion |
| artist | Finger Eleven |
| release | Five Crooked Lines |
| track number | 5 / 12 |
| track length | 7:16 |
Submission #1 out of 4 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | G# minor (74.0%) |
| chords key | D# minor |
| danceability | 1.0 |
| bpm | 150 |
| beat count | 1090 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 54.9% |
| Gender | Male | 91.4% |
| Danceability | Danceable | 97.5% |
| Tonal | Atonal | 52.8% |
| Timbre | Dark | 92.2% |
| ISMIR04 Rhythm | Viennesewaltz | 40.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 90.4% |
| Party | Party | 52.4% |
| Aggressive | Not Aggressive | 53.0% |
| Acoustic | Not Acoustic | 97.3% |
| Happy | Not Happy | 90.5% |
| Sad | Not Sad | 65.5% |
| Relaxed | Relaxed | 50.7% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 59.3% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Trance | 82.5% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Rock | 58.7% |
