Recording "The Best Is Yet to Come" by Tony Bennett
| Metadata | value |
|---|---|
| MBID | 9df3d531-4569-4143-a456-8b561f3a4e71 |
| title | The Best Is Yet to Come |
| artist | Tony Bennett |
| release | I Left My Heart in San Francisco |
| track number | B6 / 12 |
| track length | 2:29 |
← Submission #4 out of 70 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (53.0%) |
| chords key | E minor |
| danceability | 1.16 |
| bpm | 121 |
| beat count | 309 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 92.2% |
| Gender | Male | 57.2% |
| Danceability | Not Danceable | 75.2% |
| Tonal | Atonal | 65.0% |
| Timbre | Bright | 88.3% |
| ISMIR04 Rhythm | Tango | 44.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 90.8% |
| Party | Not Party | 62.4% |
| Aggressive | Not Aggressive | 98.1% |
| Acoustic | Acoustic | 75.5% |
| Happy | Not Happy | 50.9% |
| Sad | Sad | 64.7% |
| Relaxed | Not Relaxed | 78.2% |
| Mirex method | Humorous, Silly, Campy, Quirky, Whimsical, Witty, Wry | 28.4% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 90.6% |
| Dortmund model | Blues | 61.4% |
| Rosamerica model | Jazz | 77.6% |
