Recording "L’assedio di Calais: Act II. Duet “Io l’udia chiamarmi a nome”" by Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado
| Metadata | value |
|---|---|
| MBID | 9e0fa869-bc99-40aa-92b0-d01c869353e9 |
| title | L’assedio di Calais: Act II. Duet “Io l’udia chiamarmi a nome” |
| artist | Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado |
| release | Bel canto |
| track number | 18 / 20 |
| track length | 4:27 |
Submission #1 out of 2 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D major (82.0%) |
| chords key | D major |
| danceability | 0.77 |
| bpm | 163 |
| beat count | 571 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 98.5% |
| Gender | Female | 80.9% |
| Danceability | Not Danceable | 100.0% |
| Tonal | Tonal | 98.8% |
| Timbre | Bright | 98.6% |
| ISMIR04 Rhythm | Viennesewaltz | 63.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 99.3% |
| Party | Not Party | 100.0% |
| Aggressive | Not Aggressive | 97.3% |
| Acoustic | Acoustic | 99.9% |
| Happy | Not Happy | 90.7% |
| Sad | Sad | 82.9% |
| Relaxed | Relaxed | 98.2% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 35.6% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 45.4% |
| Electronic classification | Ambient | 94.3% |
| Dortmund model | Electronic | 96.6% |
| Rosamerica model | Classical | 69.2% |
