Recording "Matthäus-Passion BWV 244, 2. LXIII. Evangelista "Und siehe da, der Vorhang im Tempel zerriss" / Chorus (1,2) "Wahrlich, dieser ist Gottes Sohn gewesen" / Evangelista "Und es waren viel Weiber da"" by Concentus Musicus Wien, Nikolaus Harnoncourt
| Metadata | value |
|---|---|
| MBID | 9efbe35e-ab3b-44ef-a3b1-2b7d841c72b6 |
| title | Matthäus-Passion BWV 244, 2. LXIII. Evangelista "Und siehe da, der Vorhang im Tempel zerriss" / Chorus (1,2) "Wahrlich, dieser ist Gottes Sohn gewesen" / Evangelista "Und es waren viel Weiber da" |
| artist | Concentus Musicus Wien, Nikolaus Harnoncourt |
| release | Matthäus-Passion |
| track number | 6 / 11 |
| track length | 2:38 |
← Submission #5 out of 6 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D major (54.0%) |
| chords key | B major |
| danceability | 0.91 |
| bpm | 110 |
| beat count | 347 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 98.8% |
| Gender | Male | 52.3% |
| Danceability | Not Danceable | 98.4% |
| Tonal | Tonal | 61.7% |
| Timbre | Dark | 72.6% |
| ISMIR04 Rhythm | Tango | 63.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 97.5% |
| Party | Not Party | 99.2% |
| Aggressive | Not Aggressive | 94.6% |
| Acoustic | Acoustic | 95.0% |
| Happy | Not Happy | 83.2% |
| Sad | Sad | 89.3% |
| Relaxed | Relaxed | 75.8% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 47.4% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 42.0% |
| Electronic classification | Ambient | 93.4% |
| Dortmund model | Blues | 59.7% |
| Rosamerica model | Classical | 82.5% |
