Recording "Salome, op. 54: "Siehe, der Herr ist gekommen"" by Hildegard Behrens, Gerd Nienstedt, Horst Nitsche, Wiesław Ochman, Kurt Rydl, José van Dam, Wiener Philharmoniker, Herbert von Karajan
| Metadata | value |
|---|---|
| MBID | a01d531e-7070-4501-991e-05243e17ad72 |
| title | Salome, op. 54: "Siehe, der Herr ist gekommen" |
| artist | Hildegard Behrens, Gerd Nienstedt, Horst Nitsche, Wiesław Ochman, Kurt Rydl, José van Dam, Wiener Philharmoniker, Herbert von Karajan |
| release | Salome |
| track number | 4 / 15 |
| track length | 1:38 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D minor (41.0%) |
| chords key | A minor |
| danceability | 0.85 |
| bpm | 136 |
| beat count | 212 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 96.2% |
| Gender | Female | 84.7% |
| Danceability | Not Danceable | 96.1% |
| Tonal | Tonal | 95.1% |
| Timbre | Bright | 90.1% |
| ISMIR04 Rhythm | Tango | 90.4% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 88.8% |
| Party | Not Party | 99.2% |
| Aggressive | Not Aggressive | 97.8% |
| Acoustic | Acoustic | 99.6% |
| Happy | Happy | 76.4% |
| Sad | Sad | 85.2% |
| Relaxed | Relaxed | 96.1% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 26.5% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 76.6% |
| Electronic classification | Ambient | 98.1% |
| Dortmund model | Folk/Country | 30.9% |
| Rosamerica model | Classical | 82.9% |
