| Metadata | value |
|---|---|
| MBID | a16af896-ffa5-4f63-86f2-1b54367705f1 |
| title | Sitting on a Barbed‐Wire Fence (take 6, 6/15/1965, complete) |
| artist | Bob Dylan |
| release | The Bootleg Series, Vol. 12: 1965–1966, The Cutting Edge |
| track number | 19 / 22 |
| track length | 4:52 |
| Tonal & Rhythm | value |
|---|---|
| key | G# major (76.0%) |
| chords key | G# major |
| danceability | 1.25 |
| bpm | 121 |
| beat count | 591 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 69.3% |
| Gender | Male | 94.0% |
| Danceability | Not Danceable | 85.2% |
| Tonal | Tonal | 94.0% |
| Timbre | Bright | 88.0% |
| ISMIR04 Rhythm | Viennesewaltz | 93.4% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 77.9% |
| Party | Party | 59.9% |
| Aggressive | Not Aggressive | 57.6% |
| Acoustic | Not Acoustic | 91.4% |
| Happy | Happy | 72.0% |
| Sad | Not Sad | 72.2% |
| Relaxed | Not Relaxed | 97.0% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 40.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 76.7% |
| Dortmund model | Electronic | 98.6% |
| Rosamerica model | Classical | 36.2% |