| Metadata | value |
|---|---|
| MBID | a32e5acb-3f08-4e6e-8f1b-9f8909b36831 |
| title | Easter Oratorio, BWV. 249: I. Sinfonia |
| artist | Taverner Players, Andrew Parrott |
| release | Easter Oratorio BWV 249, Cantata "Christ lag in Todes Banden" BWV 4 |
| track number | 9 / 19 |
| track length | 4:09 |
| Tonal & Rhythm | value |
|---|---|
| key | C# major (88.0%) |
| chords key | C# major |
| danceability | 0.91 |
| bpm | 172 |
| beat count | 711 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 96.5% |
| Gender | Female | 89.5% |
| Danceability | Not Danceable | 95.5% |
| Tonal | Tonal | 98.9% |
| Timbre | Bright | 94.4% |
| ISMIR04 Rhythm | Viennesewaltz | 99.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 62.4% |
| Party | Not Party | 96.5% |
| Aggressive | Not Aggressive | 99.6% |
| Acoustic | Acoustic | 81.6% |
| Happy | Happy | 99.1% |
| Sad | Sad | 56.2% |
| Relaxed | Relaxed | 95.4% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 54.3% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 99.7% |
| Electronic classification | Ambient | 82.4% |
| Dortmund model | Electronic | 99.9% |
| Rosamerica model | Classical | 83.5% |