| Metadata | value |
|---|---|
| MBID | a5fe9195-1460-4156-9701-e15825504dad |
| title | Le Triomphe d’Iris: Troisième entrée, Scène 4: Chœur de la suite de l’Amour, des bergers et bergères |
| artist | Le Concert Spirituel, Hervé Niquet |
| release | Le Triomphe d’Iris |
| track number | 26 / 29 |
| track length | 2:19 |
| Tonal & Rhythm | value |
|---|---|
| key | G minor (77.0%) |
| chords key | G minor |
| danceability | 0.86 |
| bpm | 96 |
| beat count | 230 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 93.3% |
| Gender | Male | 58.5% |
| Danceability | Not Danceable | 80.2% |
| Tonal | Tonal | 94.2% |
| Timbre | Bright | 91.8% |
| ISMIR04 Rhythm | Tango | 97.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 85.1% |
| Party | Not Party | 94.7% |
| Aggressive | Not Aggressive | 97.7% |
| Acoustic | Acoustic | 83.7% |
| Happy | Not Happy | 53.2% |
| Sad | Sad | 91.6% |
| Relaxed | Relaxed | 96.8% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 41.2% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 98.8% |
| Dortmund model | Folk/Country | 28.7% |
| Rosamerica model | Classical | 87.2% |