Recording "From Scene Two: Hymn to Dionysus: Glory to the Male Womb" by Harry Partch
| Metadata | value |
|---|---|
| MBID | ac0deb69-7f31-4648-aba3-3fba5b37d101 |
| title | From Scene Two: Hymn to Dionysus: Glory to the Male Womb |
| artist | Harry Partch |
| release | Enclosure 5 |
| track number | 6 / 13 |
| track length | 1:45 |
Submission #1 out of 4 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | E major (45.0%) |
| chords key | B major |
| danceability | 0.89 |
| bpm | 99 |
| beat count | 167 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 73.7% |
| Gender | Female | 97.3% |
| Danceability | Not Danceable | 83.3% |
| Tonal | Atonal | 99.6% |
| Timbre | Dark | 99.1% |
| ISMIR04 Rhythm | Tango | 84.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 71.2% |
| Party | Not Party | 57.9% |
| Aggressive | Not Aggressive | 90.0% |
| Acoustic | Not Acoustic | 84.5% |
| Happy | Happy | 60.9% |
| Sad | Not Sad | 71.1% |
| Relaxed | Relaxed | 78.1% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 32.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Hiphop | 28.5% |
| Electronic classification | Ambient | 67.6% |
| Dortmund model | Blues | 61.5% |
| Rosamerica model | Rhythm And Blues | 82.3% |
