Metadata | value |
---|---|
MBID | b2f778c0-9f71-4de8-9a79-7a3fc806631f |
title | Positively 4th Street (takes 1–3, 7/29/1965, false starts) |
artist | Bob Dylan |
release | The Bootleg Series, Vol. 12: 1965–1966, The Cutting Edge |
track number | 16 / 23 |
track length | 00:56 |
Tonal & Rhythm | value |
---|---|
key | F# major (85.0%) |
chords key | F# major |
danceability | 0.95 |
bpm | 102 |
beat count | 103 |
Voice, timbre, gender, etc. | value | probability |
---|---|---|
Voice | Voice | 99.7% |
Gender | Male | 76.8% |
Danceability | Not Danceable | 97.0% |
Tonal | Tonal | 79.5% |
Timbre | Bright | 89.1% |
ISMIR04 Rhythm | Tango | 41.0% |
Moods | value | probability |
---|---|---|
Electronic | Not Electronic | 99.1% |
Party | Not Party | 98.4% |
Aggressive | Not Aggressive | 98.1% |
Acoustic | Acoustic | 99.3% |
Happy | Not Happy | 99.6% |
Sad | Sad | 87.2% |
Relaxed | Relaxed | 99.4% |
Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 61.9% |
Genres | value | probability |
---|---|---|
GTZAN model | Jazz | 30.7% |
Electronic classification | Ambient | 99.0% |
Dortmund model | Folk/Country | 37.8% |
Rosamerica model | Classical | 66.3% |