Recording "Sorry Seems to Be the Hardest Word" by Ray Charles with Elton John
| Metadata | value |
|---|---|
| MBID | b3bb2c56-bfc0-4d85-b6a7-5ff74c681057 |
| title | Sorry Seems to Be the Hardest Word |
| artist | Ray Charles with Elton John |
| release | Genius Loves Company |
| track number | 4 / 12 |
| track length | 3:59 |
← Submission #4 out of 57 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A# major (66.0%) |
| chords key | F minor |
| danceability | 1.06 |
| bpm | 120 |
| beat count | 473 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 88.1% |
| Gender | Male | 72.0% |
| Danceability | Not Danceable | 88.2% |
| Tonal | Atonal | 88.4% |
| Timbre | Bright | 92.4% |
| ISMIR04 Rhythm | Viennesewaltz | 44.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 56.4% |
| Party | Not Party | 91.8% |
| Aggressive | Not Aggressive | 99.1% |
| Acoustic | Acoustic | 93.3% |
| Happy | Not Happy | 77.1% |
| Sad | Sad | 66.4% |
| Relaxed | Relaxed | 98.6% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 35.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 85.2% |
| Dortmund model | Electronic | 89.9% |
| Rosamerica model | Jazz | 59.9% |
