Recording "Cantata BWV 26, "Ach wie flüchtig, ach wie nichtig,": 5. Rezitativ. Die höchste Herrlichkeit und Pracht" by Ursula Buckel, Münchener Bach‐Orchester, Karl Richter
| Metadata | value |
|---|---|
| MBID | b5415430-f2d4-4198-a841-d7d643e31cb9 |
| title | Cantata BWV 26, "Ach wie flüchtig, ach wie nichtig,": 5. Rezitativ. Die höchste Herrlichkeit und Pracht |
| artist | Ursula Buckel, Münchener Bach‐Orchester, Karl Richter |
| release | Kantaten, Vol. 5: Sonntage nach Trinitatis II |
| track number | 22 / 23 |
| track length | 00:55 |
Submission #1 out of 8 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A minor (62.0%) |
| chords key | A minor |
| danceability | 0.94 |
| bpm | 107 |
| beat count | 85 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 75.5% |
| Gender | Female | 80.8% |
| Danceability | Not Danceable | 93.2% |
| Tonal | Tonal | 99.1% |
| Timbre | Bright | 63.4% |
| ISMIR04 Rhythm | Tango | 93.6% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 94.8% |
| Party | Not Party | 99.9% |
| Aggressive | Not Aggressive | 100.0% |
| Acoustic | Acoustic | 100.0% |
| Happy | Not Happy | 74.0% |
| Sad | Sad | 92.4% |
| Relaxed | Relaxed | 98.5% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 36.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Pop | 17.6% |
| Electronic classification | Ambient | 99.5% |
| Dortmund model | Jazz | 43.9% |
| Rosamerica model | Classical | 44.9% |
