| Metadata | value |
|---|---|
| MBID | b6a8843d-f69c-49d1-8050-b612f7f6e7cd |
| title | Death at One’s Elbow |
| artist | The Smiths |
| release | Strangeways, Here We Come |
| track number | 9 / 10 |
| track length | 2:02 |
| Tonal & Rhythm | value |
|---|---|
| key | A major (75.0%) |
| chords key | A major |
| danceability | 1.01 |
| bpm | 124 |
| beat count | 251 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 99.9% |
| Gender | Male | 83.7% |
| Danceability | Not Danceable | 96.3% |
| Tonal | Atonal | 53.4% |
| Timbre | Bright | 61.5% |
| ISMIR04 Rhythm | Chachacha | 80.4% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 51.7% |
| Party | Party | 87.0% |
| Aggressive | Aggressive | 76.3% |
| Acoustic | Not Acoustic | 97.9% |
| Happy | Happy | 98.2% |
| Sad | Not Sad | 88.5% |
| Relaxed | Not Relaxed | 79.0% |
| Mirex method | Passionate, Rousing, Confident, Boisterous, Rowdy | 25.1% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 54.0% |
| Dortmund model | Rock | 54.2% |
| Rosamerica model | Rock | 85.8% |